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el oh el ay


el oh el ay

J. A. Granelli and Mr. Lucky
Love Slave Records

J. A. Granelli - bass, piccolo bass
David Tronzo - slide guitar
Jamie Saft - organ
Kenny Wollesen - drums

Price: $14.00



A collection of songs blending simple and beautiful compositions with some of New York's most original players. This music is about subtle feel and joyous music making.



Click on a link below to hear an MP3 sound clip:
Tronz
Mr. Lucky
Lane
Karnish



"Four Stars" - Down Beat

"One of the Ten Best of 2001"
- Allaboutjazz.com

"I could listen to this stuff all night long"
- M. Vail, Keyboard Magazine

"They slink, they plink, they crawl on their bellies like snakes. Even better this new foursome of Granelli, Tronzo, Saft, and Wollesen scratches it's pop itch by coordinating smarts and cheese into fun-prov ala Sex Mob. Their "Lola" isn't the one with the c-o-l-a cola, it's the one that gets whatever she wants. There's a good chance that tonight's audience will get same."
- Jim Macnie, Village Voice

"The deceptively simple (or perhaps simply deceptive) compositions, largely Granelli originals, have a palpably wry off-center noir wit. The way "Lane", for example, goes off on an unexpected detour suggests that Granelli's wellspring of inspiration could just as easily be The Band, or The Flying Burrito Brothers, as it could be Miles or Mahavishnu. Granelli's conspirators on "el oh el ay" include some of the most distinctive musical voices to be found in NYC - or anywhere. I am loath to categorize Mr. Lucky's music. Suffice it to say that it occupies a region bounded by Ayler, Larry Young, and ECM on one side, the Meters and Elmore James on another, Tom Verlaine on yet another, and also Hank Williams, Sr. on another (to name just a few). Or maybe it's jazz-rock all over again. Only, back in 1973, jazz-rock meant something totally different than it does today, and J. Granelli's latest release is further evidence for the continued fecundity of this oft-disparaged musical pairing. "el oh el ay" is replete with the sort of cinematic grit and quirky Americana that only a Morricone or a Zappa could pull off three decades ago. It's perhaps more commonplace today, but no less rewarding to experience."
- David Wayne, allaboutjazz.com




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